Tuesday 22 March 2011

Film Classification.


’18′

Suitable only for adults

No-one younger than 18 may see an ‘18’ film in a cinema.
No-one younger than 18 may rent or buy an ‘18’ rated video.
In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:
  • where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
  • where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
  • where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.
In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.

Sex education at ‘18’

Where sex material genuinely seeks to inform and educate in matters such as human sexuality, safer sex and health, explicit images of sexual activity may be permitted.

Sex works at ‘18’

Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only material which may be simulated are generally passed ‘18’. Sex works containing clear images of real sex, strong fetish material, sexually explicit animated images, or other very strong sexual images will be confined to the ‘R18’ category. Material which is unacceptable in a sex work at ‘R18’ is also unacceptable in a sex work at ‘18’.

’15′

Suitable only for 15 years and over

No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.

Discrimination

The work as a whole must not endorse discriminatory language or behaviour.

Drugs

Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.

Horror

Strong threat and menace are permitted unless sadistic or sexualised.

Imitable behaviour

Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised.

Language

There may be frequent use of strong language (for example, ‘fuck’). The strongest  terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.

Nudity

Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.

Sex

Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely  to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.

Theme

No theme is prohibited, provided the treatment is appropriate for 15 year olds.

Violence

Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.





Thriller Target Audience

It really depends on the kind of thriller film. Like all genres, there are sub-genres and to really give an accurate answer to your question you would have to specify what kind of thriller film.

Silence of the Lambs and No Country for Old Men are considered the two best thrillers in recent memory... and they're rated R. Their target audience was probably for the young male adults.

Meanwhile, there are those thrillers that are borderline horror films, such as M. Night Shyamalan films The Sixth Sense, Signs, The Village. Since they're close to horror (and horror films target teenage girls), the demographic would be slightly different... probably younger and more female based.

And then there are legal thrillers (Fracture, Runaway Jury) and crime thrillers (Memento, Se7en) that target a more mature audience... and classic thrillers (any Alfred Hitchcock film) that are rated PG, but are intended for adults. 


But if you just need a target audience for a generic thriller film... I'd have to say the young adult demographic from 18-25.

Friday 18 March 2011

Exodus Final Thriller Video







We are happy with the way the final product turned out. Some of the different shots used we feel worked well for the genre - especially the ones concerning the light. We also liked the graphics used alongside the titles that was added in the editing process. We were also happy with the location we managed to acquire.

We weren't happy with the fact we couldn't get an experienced actor for Exodus as this may have meant we could have used some other shot types of features. Although we like the music, we aren't happy with the fact that some viewers found it repetitive and boring; so we tried to make it more interesting in the final editing stage. We also aren't happy with the speed of the writing shots. We should have considered this part more carefully.

Wednesday 16 March 2011

Music updated

After getting feedback, we decided that the sound was very repetitive. To break it up a bit, the beginning was made slower with more of a build up. The title sequence was made a lot shorter in general as well so i could cut parts of the music out. I also sharpened up the middle part of the music to try to remove any errors.

http://www.mp3upload.ca/track/media-studies/song-media

Tuesday 15 March 2011


Screen Caps of the emails sent by me to Andrea (head of photography) to obtain a darkroom as our filming location. (2)
Screen Caps of the emails sent by me to Andrea (head of photography) to obtain a darkroom as our filming location.

Editing the rough cut

Today we edited the rough cut according to the feedback we got last friday.

We've:

*shortened the music with appropriate fading.
*made the titles shorter and layed them over the shots to shorten the piece and to make it look better.
*we've started adding graphics and movement to the titles to stop them feeling so static.
*we've also cut the second writing scene and instead made a montage of shots to substitute so that the pace of the piece isn't lost.

Friday 11 March 2011

Review from another group

PROS

The whole thing was good.
For example;

- the production logo was good.
- the camera angles and shots were really good.
- the credits were good and a few were in time.
- the way the shadows were cast created a mysterious look and atmosphere. Filming in a dark room was       very effective.
- mise-en-scene was minimal but effective.

CONS

- Music was a bit repetetitive and boring.
- It was boring watching him write the address.

Rough Cut

Wednesday 2 March 2011

Music

This is the finished background music for the project.

The aim was it try to make it sound creepy and mysterious.

http://www.supload.com/listen?s=zw4ED1

Tuesday 1 March 2011

UPDATE

Right well it's after half-term and I now have updates.

I got an email from Andrea who said we can use the smaller film processing units on Tuesday 1st March 12:20pm till 1:05pm. This was fine, so over half-term I tried to get in contact with the other members of my team to ask them whether they were avaliable. James was and said he was able to come and even though I tried to get in contact with Josh via. texts and calls but I never got a reply.

So I arranged with James to bring all the props we needed and where and when we would meet so we could film with Josh if need be.

I booked a camera with Tom and agreed to collect it before James or Josh arrived so we'd be ready to film.

But today, I didn't see or hear from Josh and James' bus was late so our shooting time was cut substansially. But we managed to get everything filmed that we needed too so tomorrow we're going to upload and cut our footage and re-shoot anything we have to.

Tuesday 15 February 2011

Final Shot List

INTERIOR SHOTS

1) No visual for first few seconds - only audio - Starts with door creaking open and then banging shut (the darkroom has heavy doors that bang quite loudly) then the sound of a chair being dragged back along the floor and someone sitting down. We hear a heavy bag being dropped on the floor.

2)Still black until we hear a click and a few seconds later, a second click and a lamp comes on on the shelf.

3)We see a hand draw back from the lamp but do not see the owner as the lamp is pointing downward.

4) The room is partially illuminated by the light, as the lamp is pointed downwards toward the desk so the figure is not illuminated. 


5) From what is illuminated we see a shoulder move downwards and hear a zip open. We then hear rustling.


6) The hands then throw book down onto the desk which is illuminated by the lamp.


7) The hands tremble over the cover and we see the book is a bible.


8) Book is flipped open and clatters on the desk.


9) We see lots of circled phrases as the pages are flicked through. We see no specific phrases.

10) The hands start ripping pages out of the bible and we hear heavy breathing.


11) From a behind-the-head shot we see our figures hands running over his hair and hear deep breaths and sniffing


12) Back to the front we see the book is opened on EXODUS 11:1.


13) We see lots of phrases highlighted and we have close-ups of ambiguous words and sentences.


14) After seeing lots of phrases a particular page is stopped on and we hear more heavy breathing.


15) A piece of thick paper is taken from the bag in a similar fashion that the book is withdrawn and put on the desk.


16) An envelope is also then taken and put onto the desk.


17) A fine marker is taken from a pocket and we see the cap being taken off (extreme close-up).


18) The bible is pushed back and the paper put directly in front of the figure.


19) Slowly and carefully, the figure starts to write "DEATH OF THE FIRSTBORN" onto the paper. We hear scratching.

20) Paper is folded in half carefully, then put into the envelope.


21) Envelope is sealed (possible close up of licking the envelope).


22) Envelope has the address "13a, Richmond close, Bushhill, Kent, KH3 4RD written on it.


EXTERIOR SHOTS!!


1) LOTS OF WALKING MONTAGE. Cars and various urban noises needed.


2) Close-ups of feet walking, crossing a road, etc.

3) Arrives at postbox. Drops bag on floor. Close-ups of knees as character is crouched. 


4) See and hear zip opening. 


5) Letter taken out of bag.


6) Stay with knees angle whilst figure stands up.


7) Close-ups of hands posting letter.


8) Picks up bag and walks into camera, low feet angle close-up. 


9) TITLE OF FILM!!! 

KEY


Props
Sound Effects
Visual





Rough Shot List

1) Close up hands
2) Extreme Close up of eye
3) Close up of feet walking
4) Close up of hands flicking through the bible
5) Close up of hands ripping pages out of the bible
6) Close up of Exodus written at the top of the page
7) Extreme close up of phrases circled in the bible

Different Ideas for Title Graphics

ContactSheet-001

Mostly playing on the idea of shadows.

Effects used are:

1) Invert
2)Bucket Tool
3)Paint Tool AND Charcoal
4)Lens Flare, Invert and Texturise (sandstone)
5)Lens Flare

Post Box Locations

We want to use a postbox in our piece and so we had to find out where they were located near Long Road.

I used the website www.dracos.co.uk  to find out where they were.
I print screened the results.


Screen shot 2011-02-15 at 09.21.39

Friday 11 February 2011

Location test shots and filming test shots

We have yet to film test footage for our thriller as we need certain props that we have not been able to obtain as of yet but we have taken photos for some of the main close up ideas we have as well as a few over the shoulder and behind shots.


test shots contact

Tuesday 8 February 2011

List of Film Titles to use


Titles

Company Logo – Divine Productions Logo
Name of Company – Divine Productions Presents:
A “somethingsomething” production - ?
A Film by “…” – A film by Daniel Lyon
Title Actor –Henry Jones           
Actor – Jiminy Francis           
Actress – Miranda Jeffries
Another Actor – Dominic Bale
Actor – Samuel Carp
Actor – Robert Smith
2 x Actor – Jonathan Bird, Liam Stevenson
3 x Actor – Sven Geldof, Brian Hamilton, James Carter
3 x Actor – Max Deloy, Ryan Mochrie, Colin Stiles
2 x Actor, 1 x Actress – Aaron Oak, Dec Brady, Amy Brookes
Casting by – Paige Low
Music By – James Cooper
Costumes Designed by - Josh Jones
Edited By – Brendon Tuck
Production Designed by – Tony Baits
Director of Photography – Geoffrey Deep
Co-Producers – Tim Robertson, Andrea Filby, Cieran Sharp
Co-executive Producers – Oliver Shuter, Sophie Moore,  Rhea Loftus
Executive Producers – Felix Stuart, Vincent Wisbech
Written By – Tom Crosby
Produced by – Peter Watson
Directed By – Directed by Daniel Lyon


FILM TITLE! - Exodus

Inspiration for our sequence

Friday 4 February 2011

Actress Consultation

Andrea is my neighbour and I thought she would like to be in our media project so i sent her this message.

Font Test




Using Carbon Type Font from 1001 Free Fonts.

Possible Film titles

Film Title Ideas

-Mary

-Exodus

-Lies

-Convert

-First Born






We decided upon "Exodus" as our working title because it is derived from the book in the bible our thriller is based on, we also liked "Mary" but it was quite an obvious title and we wanted more ambiguity.


Location Shots








                  Our location is a small film processing closet. This is a suitable location because its size allows for easy lighting and close up camera angles.

Wednesday 2 February 2011

NOTES

LOCATIONS

1st Location - Small Photography Darkroom
2nd Location - A House - (who's house is unconfirmed)

ACTORS


One male actor needed to play main protagonist - unconfirmed.
One female actress needed to play "Mary".

PROPS

One big bible that can be destroyed.
A desklamp.
A small cross necklace
Brown envelope.
Red Marker Pen

COSTUME


Actor needs a jacket of some sort, long sleeves. When walking - proper brown shoes that click on pavement. Brown/black work trousers.

Actress needs jeans and a plain shirt, also some sort of way to look pregnant convincingly.... She needs to wear a small silver cross.

Tuesday 1 February 2011

Hypothetical Script

Int: Small Darkroom

1st shot -  fades in from black.
2nd shot - Small desklamp on shelf turned on. Close up (hand is illuminated) (SFX- Click)
3rd shot - Bible thrown down onto desk.
4th shot - Thrown open (bang SFX) writes LIARS in large red letters.
5th shot - Flicks through other pages - Lots of red circles - annotations
6th shot - Close ups of him fidgeting fingers and tapping his pen.
6A - Smooths his hair down from behind.
7th shot - Stop at a page in the bible and slams him hand down.
8th shot - Close up of the page and what is written and him ripping the page out
9th shot - Carefully folds the page up and puts it into a envelope.
10th shot - Cuts to him walking along a street at a long shot. It's raining.
11th shot - Over the shoulder shot of him looking at a church
12th shot - A shot from behind the murdery guy throwing bible pages behind him.

Black screen flashes with titles

A man is sitting in a small dark room which is partially lit by a desklamp he turns on. We see a close-up of his hands reaching down and bringing up a bible. We see his fingers brush over the cover before throwing it onto the table with a loud bang. We see him smooth back his hair from behind. Close up of his hands opening the bible to Exodus 11:1 (the plagues of egypt). There are lots of red ringed phrases and words. Close-ups of certain ringed words. Starts becoming faster - He takes a red pen and slashes X's  across some of the pages and rips some out until he comes to the page which describes the death of the children, on which he stops...  And writes "Death of the Firstborn" in large bold letters. He rips the page out and folds it carefully into an envelope which has "Mary" written on the front.

Black shot - Title of the Film

Then camera follows the protagonists feet up a pathway and stops at a door. You hear a letter being posted through the door and his feet turning and leaving. We see the door open when he's left and a heavily pregnant woman picking up the envelope. There is a close up of her shoulders and face as a reaction shot showing the cross.

Storyline - 

Our protagonist is the husband of the woman he eventually ends up leaving a message for at the beginning of the opening title sequence.

In the title sequence our protagonist is seen writing furiously in a bible, tearing it up and eventually selecting a page and writing "I Know" on it in red letters before carefully folding it into an envelope, on the front of which he writes "Mary".

"Mary" is a rather plain middle aged woman who doesn't look particularly interesting. She wears a small silver cross necklace.

Mary and the protagonist used to date but she fell in love with a vicar and left him. She's pregnant and our protagonist wants revenge on her for leaving him. So he plans to kill the child, according to "Death of the Firstborn" from Exodus.

He leaves clues like blood on the front door and a ransom note saying unless she gives up the vicar, he's going to kill her child.



STORY OF THE DEATH OF THE FIRSTBORN - Ex. 11:1–12:36

This is what the Lord says: 'About midnight I will go throughout Egypt. Every firstborn son in Egypt will die, from the firstborn son of Pharaoh, who sits on the throne, to the firstborn son of the slave girl, who is at her hand mill, and all the firstborn of the cattle as well. There will be loud wailing throughout Egypt—worse than there has ever been or ever will be again.'
— Exodus 11:4–6
The tenth and final plague of Egypt was the death of all of the first born children in Egypt — no one escaped, from the lowest servant to Pharaoh's own first-born son, including first-born of livestock. Before the plague, God commanded Moses to inform all the Israelites to mark lamb's blood on the doorposts on every door in which case the LORD will pass over them and not "suffer the destroyer to come into your houses and smite you" (chapter 12, v. 23), thus sparing all the Israelite first-borns in households that followed the instructions. This was the hardest blow upon Egypt and the plague that finally convinced Pharaoh to submit, and let the Israelites go.
After this, Pharaoh, furious, saddened, and afraid that he would be killed next, ordered the Israelites to go away, taking whatever they wanted. The Israelites didn't hesitate, believing that soon Pharaoh would once again change his mind; and at the end of that night Moses led them out of Egypt with "arms upraised." [30]